Both on stage and in the recording studio, the Terpsycordes assert their eclecticism. Their recordings, all acclaimed by the specialized press, reflect a determination to penetrate the very heart of each piece they play, combining rigour and imagination: Schubert, Beethoven and Haydn revealed with period instruments (Ricercar and Ambronay), Schumann’s quartets (Claves), Vierne’s Quintet with piano (Brilliant Classics) ; not to mention modern and contemporary works by Swiss composers (Bloch and Gerber by VDE Gallo, and Zanon by Claves), and incursions into the worlds of tango (Piazzolla, with William Sabatier) and of jazz (with Mael Godinat Trionyx).
Founded in 1997 in Geneva, the Terpsycordes Quartet was trained by Gabor Takàcs-Nagy and subsequently coached notably by members of the Budapest, Hagen, Lasalle and Mosaïque Quartets. Drawing vitality from their contrasting origins (Italy, Bulgaria, USA and Switzerland) the musicians offer dazzling performances to audiences of major concert halls such as the Concertgebouw in Amsterdam, the Salle Gaveau in Paris, the Tonhalle in Zurich, and the Victoria Hall in Geneva.
For this 2018-19 season, the Terpsycordes Quartet performs espacially in Switzerland, France and Italy. He released a new CD with french bandoneonist William Sabatier, devoted to Piazzolla and Piaf, by the label Fuga Libera. He is preparing a recording of a french repertoire from the 19th to the 20th century on period instruments.
Through its commitment to young audiences, the Terpsycordes Quartet participates each year in educational programmes for Geneva’s Department of Education, and since 2015 has sponsored the project “Orchestra in class”.